October 2, 2008
Susan Werner |
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“Susan Werner, a clever songwriter and engaging performer, brings literacy and wit back to popular song.”
The New Yorker
With six albums under her belt, an active touring career throughout the U.S. and a string of accolades, Susan Werner has become one of the defining artists of the folk music genre.
Farm girl Susan Werner was raised in rural Iowa but began her professional music career in Philadelphia, after studying classical voice at Temple University. Inspired by a Nanci Griffith concert, Werner left behind her opera training and began performing as a singer-songwriter at coffeehouses throughout the northeast. She self-released her first album “Midwestern Saturday Night” in 1992 and then went on to put out “Live at Tin Angel” the following year. In 1995 came her breakout album, BMG/Private Music’s “Last of the Good Straight Girls,” but a corporate reshuffle left her and her folk-pop masterpiece behind. Werner went on, recording two albums even better than her previous work, adding some country and soul sounds to her signature vocal stylings with the help of Nashville multi-instrumentalist and songwriter Darrell Scott, who produced “Time Between Trains” and Colin Linden (Blackie & The Rodeo Kings), who produced her 2001 “New Non-Fiction.”
Always ready to reinvent herself, in 2004 Susan Werner released her album of instant songbook classics “I Can’t Be New” on Koch Records. For years she incorporated cabaret-style numbers in her live performances, exchanging her guitar for a piano (when there was one to be had), and she’d been asked by her audience to put all those songs in one recording. Fans and critics alike sang her praises: the All Music Guide calling it “a brilliantly constructed, soulful, and cleverly tender effort by a songwriter and musician who is in such complete command of her gifts that it’s almost scary.”
In 2005 Susan Werner made a splash on satellite radio and in the blogosphere with her “alternative national anthem” entitled “My Strange Nation.” For this song, Werner adopted the musical style of a battle hymn, and added lyrics that encompass both the poetry and hypocrisy innate to the United States.
2007 brings the release of Werner’s latest endeavor, “The Gospel Truth,” a collection of originals she describes as “hymns for the spiritually ambivalent.” This project, scheduled for release in early March, surveys the wide variety of attitudes toward the Church in America and incorporates styles ranging from traditional bluegrass gospel, in songs such as “My Lord Will Trouble Me,” to a hand clapping rouser for agnostics entitled “Probably Not”
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October 2, 2008
Hors d’oeuvres
Butternut Squash Bisque
Pork Filet Mignon with Sun-dried Cranberry Apple Dimi Glaze
Roasted Garlic Whipped Potatoes & Seasonal Vegetable
Mascarpone Cheese Cake with Fresh Berries
Coffee, tea and assorted breads
** Menu may be altered for the chef to take advantage of fresh accompaniments
For requests due to dietary restrictions
Call CCNC at 910 692-6565
More than 24 hours before event